I’ve been fascinated by epidemiology since I was a little kid first reading about the Black Death, and that interest only grew as I learned more about it over the years. Diving into the study of environmental history was especially fascinating for me, as I learned how under-emphasized the role of epidemics and pandemics has been in history, as if humans were trying to pretend that history was actually under our own control. This eventually culminated in me writing The Wrack, my own plague novel which, for better or worse, ended up coming out at the beginning of the Covid-19 pandemic. (Slightly awkward timing, there.)
A time-traveling historian is stranded in the fourteenth century when an epidemic breaks out in her own time. A bittersweet, depressing, wonderful, character-driven book that shows the individual costs of plagues better than just about any other novel I’ve ever read- and I’ve read a lot of them. Deservedly won both the Hugo and Nebula awards.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
Aliens crash-land near a medieval European village during the Black Death, and establish friendly relations with the villagers- but Earth’s food lacks vital nutrients for them, and the plague creeps closer every day. Wonderful, heart-wrenching book about communities during times of crisis and disaster, and about the fundamental humanity that crisis brings out in us—even towards those who aren’t human.
The alien world of medieval Europe lives again, transformed by the physics of the future, by a winner of the Heinlein Award
Over the centuries, one small town in Germany has disappeared and never been resettled. Tom, a historian, and his theoretical physicist girlfriend Sharon, become interested. By all logic, the town should have survived. What's so special about Eifelheim?
Father Dietrich is the village priest of Eifelheim, in the year 1348, when the Black Death is gathering strength but is still not nearby. Dietrich is an educated man, and to his astonishment becomes the first contact person between humanity…
Most zombie stories have horribly unscientific epidemiology, but Feed is definitely the exception. Mira Grant knocks this tale of journalists covering a post-zombie apocalypse presidential election out of the park- it’s a brilliant take on both epidemiological fiction and zombies. Considerably more action-packed than the rest of this list, and the sequels are excellent as well.
'Gripping, thrilling and brutal . . . a masterpiece of suspense' Publishers Weekly
'The zombie novel Robert A. Heinlein might have written' Sci-Fi Magazine
The year was 2014. We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives -…
A slice-of-life epidemiological fantasy novel set in the small town of Balam, as it deals with a mysterious illness accompanied by strange insectoid monsters intent on stealing the corpses of the victims. One of the weirder books on the list, with a setting heavily inspired by the Final Fantasy game series and lower stakes than most of the others – but still well worth a read.
Balam is a sleepy town on the eastern coast of Atlua, surrounded by forest and sea. It’s a village where nothing happens and everybody knows each other. But now, people are dying.
School is out for the spring, and schoolteacher Theodore Saen is ready to spend the next few months relaxing with his family. But when the town’s resident white mage falls ill and several townspeople begin to show similar symptoms, they must call on a new mage. Aava has freshly graduated from the nearby mage academy when she is swiftly hired to deduce the cause of the unknown illness…
The Traitor Baru Cormorant explores plague through the lens of empire, as a deliberate tool of conquest for the monstrous Masquerade. It’s only one of the tools they use, but it’s the single best exploration of the deliberate use of infectious disease as a weapon I’ve ever encountered in fiction. The protagonist, the titular Baru Cormorant, is also one of the most competent protagonists in fantasy, and her struggle to tear apart the Masquerade from within without letting herself be corrupted by power is absolutely compelling.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
Plague has come to the continent of Teringia. As the Wrack makes its slow, relentless march southwards, it will humble kings and healers, seers and merchants, priests and warriors. Behind, it leaves only screams and suffering, and before it, spreads only fear. Lothain, the birthplace of the Wrack, desperately tries to hold itself together as the plague burns across it and its neighbors circle like vultures. The Moonsworn healers would fight the Wrack, but must navigate distrust and violence from the peoples of Teringia. Proud Galicanta readies itself for war, as the Sunsworn Empire watches and waits for the Wrack to bring its rival low. And the Wrack advances, utterly unconcerned with the plans of men.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
